Welcome to the homepage of Robert J. Shea (1933-1994), co-author of Illuminatus! and author of Shike, All Things are Lights, The Saracen, and Shaman.
If you enjoy this site and my father's works, please consider using these links to purchase Illuminatus!, Shike, All Things Are Lights, or Shaman.
Thanks to the University of Michigan for these copies of No Governor!
You can purchase used copies of Robert Shea's books at Amazon.com.
Robert Joseph Shea (14 February 1933 - 10 March 1994) was the co-author of The Illuminatus! Trilogy with Robert Anton Wilson and the author of six other novels including Shike, All Things Are Lights, The Saracen, and Shaman.
Robert Shea met Robert Anton Wilson in the late 1960s, when both were working in the editorial department of Playboy. Before long, they decided to collaborate on a novel that would combine sex, drugs, alternative religions, anarchism, and conspiracy theory, which became Illuminatus!. While they remained close friends for life, they had philosophical and political disagreements, and these enriched the book, helping to make it a dialogic novel in which no single point of view is privileged.
On his own, Shea went on to write historical novels, including Shike (1981), All Things Are Lights (1986), and what probably is his most underrated work--The Saracen, a book published in two parts in 1989 depicting the struggle between a blond Muslim warrior called Daoud Ibn Abdullah and his French crusader adversary Simon De Gobignon. It's a book of love, intrigue, and suspense during the time of the Crusades. It is a book that avoids racial and religious stereotyping and is at times very sensual. His last book was the Native American tale Shaman (1991).
Robert Joseph Shea attended Manhattan Prep, Manhattan College and Rutgers University and worked as a magazine editor in New York and Los Angeles. In the 60's he edited the Playboy Forum where he met Robert Anton Wilson, with whom he collaborated on Illuminatus! After publishing Illuminatus!, Bob left Playboy to become a full time novelist. His novels include: Shike, set in medieval Japan. All Things Are Lights, a story that entwines the fate of Cathars of southern France with the occult traditions of Courtly Love and the troubadours. The Saracen, describing the intricate politics of medieval Italy through the eyes of an Islamic warrior. Shaman, tracing the fate of the survivors of the Black Hawk War in 19th century Illinois. Lady Yang, a tragic story of an idealistic empress of medieval China.
Robert Shea died of colon cancer in 10 March 1994 at the age of 61.
A celebratory reading of Bob's works took place on March 26th, in Winnetka, Illinois. More than 100 people attended and many, including Bob's collaborator and dear friend Robert Anton Wilson, spoke during the meditative interlude of Bob's friendliness and curiosity, cheerfulness and courage.
Robert Shea is survived by his son, Michael E. Shea.
Shea's literary executor and son answers questions about the author of Illuminatus and other books
I recently re-read ILLUMINATUS! by Robert Shea and Robert Anton Wilson for the nth time, and then discovered the official Shea site, maintained and run by his son, Mike Shea. The site includes downloads of Robert Shea's out of print novel, ALL THINGS ARE LIGHTS, released under the Creative Commons license.
I asked Mike Shea if I could interview him via e-mail, and he graciously agreed. In honor of his father's former employment at Playboy magazine, where his father met his mother (see below), let's call it a candid conversation:
1. Why did you choose to make ALL THINGS ARE LIGHTS the title that you released free for personal use under the Creative Commons license?
Having my father's books available to the widest audience is most important to me. I still get royalty checks for his work, enough to get a nice set of speakers once in a while, but having his thoughts available to everyone is my goal.
I've spent a lot of time reading up on Creative Commons licenses and how they affect publishing. There seems to be a rift between older writers who feel that control of their work is paramount and new age web-friendly writers who realize that the works belong to everyone -- not just in a consumer role but in a creative role. When you sit back and imagine the city described in LIGHTS, you build that city yourself, not the author.
I'm always bothered when I hear about publishers going after people writing fan fiction or spawning off new stories on the pillar created by another. Sometimes I just think its publishers doing what publishers do to protect their interests but while some artists realize that their work is greater than themselves, others do not.
That said, I have a full time job and I'm not trying to get my kids through college on royalty checks so my perspective is skewed. Ask me again when the ILLUMINATUS movie gets made and I'm burning hundreds to light candles.
Shameless plug. I write my own fiction and release everything under a Creative Commons License. I would love to find out that one of my four readers decided to write their own story based off of the worlds I create.
If you care to read any of my fiction, you can find a self-published book of short stories available in HTML at:
http://mikeshea.net/vrenna_and_other_tales.html
2. What is the best Robert Shea novel for fans of "Illuminatus!' to try?
All of them! But if I had to pick one I'd say SHAMAN. SHIKE would be a close second. None of his works ever fit the mold of ILLUMINATUS again. When it came to writing, RAW and my dad didn't really see eye-to-eye after Illuminatus got published. RAW continued to expand the theories outlined in Illuminatus into new directions while my dad became a quiet Chicago Suburbanite. His books fit this as well. He switched from ILLUMINATUS to historical fiction. Still, the reviews have always been good. People loved his stuff.
Though Wilson and my dad didn't see eye to eye on all things as the years rolled on, they always remained very close friends. When my father died, Wilson came to Chicago to his memorial service. He was dressed in black with about four tough looking guys joining him. It looked a little like Morphius and his crew exiting the brick building in the Matrix. I was more than a little intimidated. RAW didn't speak -- he couldn't according to a friend of ours. He mourned my father's death for a long time. We all did. We all do.
3. The appendix to "Illuminatus" says that eight appendices were "censored." Are they still around, and are there any plans to publish them?
I've never heard of them. The whole thing was written long before computers so it's not likely they're still around. If I could get ahold of them, I'd publish them in a second.
4. The appendix refers to a sequel, "The Homing Pigeons." Was there any work actually done on an ILLUMINATUS sequel?
There was a joint work on a book called "Bride of Illuminatus" that was due to be released. Unfortunately the publishers didn't think it would do very well since Wilson had already written a bunch of post-Illuminatus books that didn't do very well (Gods bless the publishing industry...). I don't know if there's an outline or a copy of the work anywhere. My father died before they could get started. I remember the first scene started with a sex scene between two gods.
My father was just about finished with another book, Lady Yang, which was never published. I have three copies of it around. One of them is with a friend of mine getting scanned and OCRed so I can publish it. The other one sits in the trunk of my car and the third in my home. When I get that digitized I'll publish it on the web like ALL THINGS ARE LIGHTS and make a print-on-demand version.
5. May I clarify one point? When you say that Lady Yang is "almost finished,"do you mean that it needed to be polished a little bit? Or do you mean that it is missing the ending?
It is complete, just not fully edited.
6. Your web site says that Shea and his friend and collaborator, Robert Anton Wilson, had "philosophical and political disagreements" and that these disagreements enriched ILLUMINATUS! Can you give me a couple of examples of their disagreements?
A lot of the words on my site came from other sources on the net. I've never written much myself about my dad. That's one of the reasons I'm so happy for this opportunity. Honestly I don't know much about the philosophical differences and neither does my mom. I'd say the only differences I knew about came after I was born and my dad moved to more mainstream fiction.
7. Which of Robert Shea's books are currently in print?
ILLUMINATUS is the only book currently in mainstream print in the US. It's available everywhere. I like to go into big book stores, pull it out, and stick it on an endcap.
SHIKE, SHAMAN, and THE SARACEN are still in print in other countries. My father's books always did well overseas. I don't have a list of which countries, however, but I have a beautiful hardback version of SHIKE in Spanish that I love a lot.
I republished ALL THINGS ARE LIGHTS on Lulu.com so its technically in print. For about $18 you can get a nice trade paperback copy with a pretty boring cover but all of the original text.
8. As I mentioned in my blog posting, the synopses in the second and third ILLUMINATUS! books are not reprinted in the omnibus edition. Are there any plans to reprint them, perhaps on the Internet?
I just put down a bid for the three original Illuminatus covers. I'll get them and, assuming they aren't too long and I can find the time, I'll retype them and publish them on my website. I might get in a little trouble for it, but I tend to doubt it. I'll just do it and see what happens. I currently own the rights to all of my father's original work but that doesn't include ILLUMINATUS. That one still belongs to myself and Wilson's heirs, so we'd have to get together todecide if publishing the whole work is ok or not. For synposes written in 1980, though, I can't imagine I'll get any heat for that.
I'll make it happen.
9. I only got to meet your father once, at a World Science Fiction Convention in Boston. It was a big thrill, and he was very nice to me. Is there anything about what your father was like or about his interests that you think his fans might want to know?
After reading "Zen and the Art of Writing" by Ray Bradbury, a wonderful book by the way, he got into Eastern philosophy in a big way. When he was writing SHIKE he bought an authentic samurai sword at a local show. It's about 500 years old hand hammered by a guy named Yuki Hisa whose name is etched on the sword's tang. I still have it.
He meditated every day for about fifteen minutes as well. The Zen philosophy sort of sunk into me and has even further over the years.
He was a huge fan of Buck Rogers comics and when he found out they were all being reprinted, he went out to a comic book shop on Clark Street. He wouldn't read them all at once. He knew they were a treasure to be doled out over long years.
Like most authors, he read all the time. He loved his routines. After writing over a long day he'd sit back in our living room in a big chair and read whatever book struck his fancy. I remember seeing the racy cover of FRIDAY by Heinlein and even Robert Jordan's EYE OF THE WORLD in his hand. I only remember those because of how the covers of them struck me.
He also liked to sketch and paint. I have a couple of his paintings hanging in my house now.
10. Do you happen to know which of your father's books was his personal favorite?
I think SHAMAN. He was really into that book. It was a book that let him really dig into the history, drive all over the country, and learn about the subject matter. He never got to do that with his other historical books.
11. Supposedly the idea for ILLUMINATUS! came from when your father and Robert Anton Wilson were sitting in a bar after work in Chicago, and your father suggested that it would be funny to write a novel that took seriously all the various crackpot conspiracy theories that were sent in to the Playboy Forum, which your father edited. Did your father ever give you his version of this story?
Yep, a lot of the themes in ILLUMINATUS came from when RAW and he worked at Playboy on the adviser. All of the crazy conspiracy theories gave them the idea to write a book that tied them all together. He never gave me his side of the story, really, but he didn't believe in all the conspiracy theories. He was pretty practical. He never trusted the government, however (who can blame him?), so he wouldn't put something past them like the Kennedy assassination, but he never really got too bent about it all. He was very scientific in his thought and believed in Occam's razor: the simplest explanation is likely the right one.
12. Did your father ever tell you any stories about what it was like working for "Playboy"? Did he ever hang out at the Playboy Mansion sipping cocktails with Hef?
No, but I'll share a story my mother told me that I liked a lot. I posted it to my blog here:
This website is maintained by Michael E. Shea, Robert Shea's son. Feel free to email him at mike@mikeshea.net.